2015年5月27日星期三

mushup



As fabrication technology tends towards requiring zero tolerance and develops more refined abilities to manufacture complex geometry, social tolerance for complex design will most likely increase.
The link between math and architecture goes back to ancient times, when the two disciplines were virtually indistinguishable. Pyramids and temples were some of the earliest examples of mathematical principles at work. Today, math continues to feature prominently in building design. We’re not just talking about mere measurements — though elements like that are integral to architecture. Thanks to modern technology, architects can explore a variety of exciting design options based on complex mathematical languages, allowing them to build groundbreaking forms.
If you, as the origin of the word indicates, decide the order of an architecture (=geometry) by taking a close survey (=metro) of the land (=Geo), the consequent architecture will have clear order while retaining the continuity of the land. “Observing the site closely and finding its hidden geometry.”
 That accounts for almost all of our design works and, is essence of it.



http://www.archdaily.com/495089/the-depreciating-value-of-form-in-the-age-of-digital-fabrication/

2015年5月9日星期六

finalproject



size




Blacktown

 1
2



36 CUSTOM TEXTURES

Organic

Congruence

archaic

Unitize

abundant

changing

18 SKETCH AXONOMETRICS






                        (final project)



10 concepts

10 concepts and I choose dynamic and Congruence for the final object.

Frank LLoyd Wright

Dynamic is creative, because its purpose is not to pursue the dazzling visual effects, but the life in which people live in there. (Changing)

He thought if our buildings have vitality, it should reflect more vivid human condition here today (natural)

He thought architects should work with nature create, means that all concepts in harmony should be with the base of the natural environment, to consider people's needs and feelings. (Organic)

He thought the spirit of the building should be unify and complete. (Unitive)

Seashells gave him a revelation, moving space must have a dynamic shell, this is a kind of infinite continuous plastically (dynamic)

Sou Fujimoto

He thinks the original building represents the basic demand of building, we need to understand the people of the past and the future in the perspectives of introspection, building the future need to be considered in the past, so as to create a distinctive architecture.( archaize)

In his own design research, emphasizing the rich diversity of space. (abundant)

He blurred the strict opposition bound of “inside and outside” (Congruence)

He put forward a kind of random method of construction plastic.Random


He think that space is a relational, and buildings can be seen as the results of follow the local rules and order. (Evolutionary)